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Comic Book Industry Blunders

By Dave Gieber


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What has gone wrong within the industry and can it be fixed? Therape and pillage, in the eyes of some, may have left the comicbook industry gasping for life support. It seems that for anindustry that has seen so much success, the history of comicbooks, has apparently been confounded by seemingly dumbmistakes.

The first could have very well been the coining of the name"comic books". The earliest versions of the so-called half-tab(for half tabloid) reprints of the Sunday funnies (the comics)became known as "comic books". This led to the thinking ingeneral, that contained comic or funny material,which we all know, is a far stretch from reality. Comic bookscan be very somber, dark or adventurous magazines. It has oftenbeen suggested that there should be another term coined tobetter describe this literary package we all know as comicbooks. To date, no other user-friend term has been suggested foruse in the comic book industry.

A second misdirection came when magazine prices started to rise.Instead of increasing comic book prices, like other successfulmagazines did, the comic book industry decided to cut pages tokeep the then current price tag of 10 cents. This brought on theimpression that were "cheap" by definition, andneglected the fact that a dime was a lot of money at one time(steak & eggs cost 35 cents). This presented the image thatcomic books were just for kids. It also made the productincreasingly less viable for retail merchants to stock. Why takeup the same shelf space, when a higher priced magazine would domore nicely. Again the perceived value of the comic book wasloosing credibility.


Then as the 1950s rolled around, an individual by the name ofDr. Frederick Wertham, published a book entitled "Seduction ofthe Innocents". Through the use of unscientific research andassumptions, he stated that all the nation's ills were directlyrelated to kids reading (ah hmm, what?).

Central tohis thesis, was the misassumption that were strictlyfor kids. The more adult material, it was irrationally assumed,was aimed at our sweet, naïve innocent children. Yes, we do haveto protect our children, but it still bothers me to no end, thatcertain self-righteous individuals believe their lot in life isto make the rest of the planet adhere to their own personalbeliefs. If this were the case, then our great country wouldhave never been founded.

With this wildly irrational attack on the comic book industryand many congressional leaders jumping on the bandwagon, comicbooks were gaining a bad reputation. The comic book industrypublishers at this point, could have banded together anddeclared that comic books, like movies, were not "just forkids". It should have been stated that the wide range of comicbook genres represented was target to as wide a range ofreaders. All but one of the publishers (William Gaines,publisher of EC Comics) buckled under to this CongressionalInvestigation and the Comic Code Authority was created. Thisgoverned the content of and ensured that for thenext 15 years or so, the literary content would not rise muchabove that of pablum for the mind. Therefore another slide intoincredibility for the comic book industry took place. Can thecomic book industry be saved? Very possibly, but when theindividuals in charge of the saving are as eager as ever to makethe same mistakes all over again, what will the outcome be? Theydon't even appear to be cleaver enough to make new mistakes.

About the author:Dave Gieber, a former rocket engineer, has decided to take upresidency on the Internet. He is the owner and editor of severalwebsites, one of which was built around one of his childhoodpassions; www.comic-book-collection-made-easy.com . You canvisit here to keep up to date on the world of andcomic book collecting. Feel free to sign up for my comic bookezine.


 

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